WWE held its first-ever premium live event in Italy on Saturday, bringing Clash in Italy to the Inalpi Arena in Turin with a card that looked, on paper, like it had real stakes. Cody Rhodes defending the Undisputed WWE Championship against GUNTHER. Roman Reigns putting the World Heavyweight Championship on the line against Jacob Fatu in Tribal Combat. Rhea Ripley versus Jade Cargill. Brock Lesnar and Oba Femi running it back.
And then every single champion retained.
Rhodes beat GUNTHER in roughly 11 minutes via a finish that should not have counted. GUNTHER’s foot was visibly under the bottom rope during the pin, and the referee either missed it or was told to miss it. Reigns speared Fatu through a table and won his third consecutive Tribal Combat match to remain the Tribal Chief. Ripley dispatched Cargill with a second RipTide. Lesnar buried Oba Femi under seven F5s, including one through the announce table, in a match that felt less like a rivalry-ender and more like a coronation for a 48-year-old part-timer. The only title that changed hands was the Women’s Intercontinental Championship, where Sol Ruca pinned Becky Lynch, the one result everyone saw coming before the bell rang.
The pattern is no longer subtle. At Backlash three weeks ago, fans and critics called the show “unwatchable” because of how transparently the outcomes were protected. WrestleMania 42 delivered a largely predictable card. And now Clash in Italy, which Wrestling Inc. dinged for “zero surprises across the show” in its review. Three consecutive PLEs where the top of the card barely moved. Cagematch users scored the event a 4.79 out of 10.
What makes the Rhodes-GUNTHER result particularly galling is how short the match was. An 11-minute world championship bout that opened the show, built to a finish that required a refereeing error, and sent the challenger away with nothing to show for months of build. If the plan was always for Rhodes to retain, the match needed 25 minutes of competitive action to protect GUNTHER’s credibility. Instead it felt like a segment, not a main event.
Here is the part where I stop pretending this is just about one show. I watched Reigns hit a spear through a table and win with a second spear, and I felt absolutely nothing. Not because the match was bad. Because I knew the finish before the entrances started. That is the problem WWE refuses to acknowledge. The Netflix deal brought 340 million viewing hours in Raw’s first year and a genuinely global audience. The response from creative has been to protect every established star at every turn, to treat PLEs as maintenance checks rather than inflection points.
Risk is what makes wrestling matter. The entire architecture of the form depends on uncertainty, on the possibility that a title could change hands, that a face could turn, that a challenger might actually win. Remove that possibility and you are left with theater where the good guys always win, the titles never move, and the crowd is cheering for outcomes that were decided in a writers’ room weeks ago. Turin deserved better. The Netflix audience deserves better. The product is the safest it has ever been, and safety is the one thing wrestling cannot survive.